Our recent project for Yankee Stadium appears in the initial issue of segdDESIGN in 2010 with a six page spread entitled, “Yankees Go Home.” In the article, the Stadium’s signage, graphics, and museum are discussed from a vantage point about how our firm provided “context in another kind of American monument: the baseball cathedral.”
Read the article in full online and read past press about the Yankee Stadium on Fresh.
Recently launched: the firm’s design for the AIGA Member Gallery. This interactive project, led by Associate Partner Maya Kopytman, lets AIGA members organize and exhibit their design portfolio on an online platform, connect and collaborate on projects, and comment on the design work of fellow members.
Our signage and wayfinding system for the RBS headquarters in Stamford CT, designed by a C&G Partners team led by Keith Helmetag and Amy Siegel, appeared recently in the New York Times. Below, top executives of the Bank posing beneath the monumental lobby sign wall.
Read a past Fresh post on RBS and find out more about the project on our portfolio page.
One visible new part of the firm’s ongoing signage and wayfinding design project at One Bryant Park recently attracted attention from real estate blog Curbed NY. The write up wryly notes that these “simple letters in stainless steel” not only identify the location of Bank of America’s new HQ on the corner of 42nd Street and 6th Avenue, but also “remind everyone who’s in charge” and mark “where the money can be found.” Below, some images of part of the work in progress: the main sign in dimensional steel, with the inside surfaces of the letterforms in stark white.
The project, developed by the Durst Organization with collaborating architects Cook+Fox, and led on our side by Partner Keith Helmetag and Associate Partner Amy Siegel, also includes the newly reopened and revamped Henry Miller’s Theatre.
Read the full article on Curbed NY. Read more detail on the overall project here and recent Fresh posts on Henry Miller’s Theatre here.
Partner Keith Helmetag was called one of 2010’s “People to Watch” in January’s Graphic Design USA.
In the interview, Keith discusses his background, his design process, what inspires him creatively, a list of favorites, and what he would be if he weren’t a designer. Read the whole article here.
Photo: Red de Leon
Continuing the firm’s longstanding tradition of student visits, we recently welcomed two groups. Our annual British invasion occurred on January 29th when students from Buckinghamshire New University, led by senior lecturer John Hazlewood, came straight to our offices from their cross-Atlantic flight to discuss design, studio life, and a career in the field with partner Steff Geissbuhler.
And on February 2nd, Steff (back row left) hosted first-time studio visitors from the University of Connecticut’s design program (above). This occasion also marked a reunion for our co-founder Steff: this group was led by one of his former Yale students, Randall Hoyt, now an Associate Professor of Communication Design at the University.
Voices of Liberty, the firm’s recent exhibit and interactive project for the Museum of Jewish Heritage was just used today for a purpose for which it was certainly not originally designed, but which we happily support. A museum visitor proposed by bringing his girlfriend to the exhibit and asking her to read a poem he had posted in advance on the Voices of Liberty website we designed. The website is integrated with the exhibit and handles the user-contributed content part of the experience.
And in case you were wondering, she said yes. Good thing the design calls for two seats. Read about our MJH project here. And: congratulations!
Two of the firm’s recent projects will be showcased in the exhibit “Retooling Industrial Sites” at the Center for Architecture in Philadelphia starting this month. The exhibit, which “will serve as a forum for the growing interest in industrial sites and urban manufacturing” will feature the recently completed Erie Canal Commercial Slip project (shown here), and the West Point Foundry Reserve project, both led by partner Keith Helmetag.
There will be a reception on opening night, February 5th, and the exhibit runs through March 26. Read more about the exhibit and the opening night event here.
Fighting for Democracy, the traveling exhibit on race, democracy and war designed by C&G Partners for the Japanese-American National Museum, opened to the public last Friday, January 29, at its latest touring venue, the National Archives in Washington, DC.
The exhibit is open from 10:00 am to 5:30 pm daily and will be at the National Archives through February 28.
Partner Emanuela Frigerio was invited to showcase two of her projects for Kitchen Ecology: Recipes for Good Design, an exhibition curated by designboom. The exhibit focused on innovative kitchen design with an emphasis on reducing environmental impact. This summer, the exhibition was hosted at Dwell on Design in Los Angeles, and this past December was showcased in Korea at the Seoul Design Festival.
The firm’s recent client, Peace Dividend Trust, whose Marketplace Recovery Project helps post-conflict countries recover economically by supporting the purchasing of local goods and services, is making expedited efforts in response to Haiti’s devastating earthquake. PDT, who had recently sent a team to initiate the project in Haiti, reached out to Emanuela Frigerio yesterday, requesting graphic design for this purpose.
As the originators of the Marketplace Recovery Project’s logo, C&G Partners donated “Build Local. Build Haiti.” lock-ups, in both French/Creole and English/Creole, and versions with and without web addresses, all executed quickly in order to get these graphics available as soon as possible.
Peace Dividend Trust has also put up a temporary web portal just for their Haitian mission, and you can read more about the developing program in Haiti here. Other designers and design organizations, such as AIGA, are encouraging support for Haiti’s recovery as well.
Steff Geissbuhler has been appointed act as President of the Design Lions jury in Cannes, which is part of the Cannes Lions International Advertising Festival taking place from June 20th to June 26th. The festival is a global meeting place for communication industry professionals, and includes seven days of award ceremonies, seminars, workshops, master classes, exhibitions, screenings and networking. As President of the Design Lions jury, Steff will participate in the Press Lions and Cyber Lions Awards Ceremonies in addition to the Design Lions.
Steff was also appointed to the jury in 2008. In the past year, he juried the Spikes Asia, an extension of the Cannes Lions in Singapore.
The website BroadwayWorld recently named the firm’s interactive exhibit at the Museum of Jewish Heritage in lower Manhattan as one of the site’s New York City’s Hot Topics. Read the full write up here, all Fresh posts on the project here, and find out more about the Voices of Liberty exhibit and interactives.
This Thursday, January 14th marks the opening of “The Graphic Imperative: International Posters for Peace, Social Justice & the Environment, 1965-2005,” at the School of Art at Western Michigan University. The posters chosen for display “have transmitted the ideals, hopes and dreams of millions who have dared to raise their voices in protest or concern. They have helped empower and propel important movements for social change.” Steff Geissbuhler’s well-known “Peace” poster is one of the chosen hundred.
The exhibit runs until February 19th. Find out more details on the exhibit and the venue here.
Building Markets, part of Peace Dividend Trust’s economic recovery efforts, has implemented their “Buy Local” logo with great success in the field, most recently in Timor-Leste.
Working in collaboration with the author, partner Emanuela Frigerio and her team recently designed Lake Antiquity, a full-color monograph of collages and found-language poems created over a twelve year period by artist Brandon Downing.
Under Consideration posted an inspirational article by Partner Steff Geissbuhler in the “Brand New” section today. The editorial strays from the typical material covered on that website – mainly, new identity work – and instead describes Steff’s experience watching his brand identity for MercyCorps evolve over time. In the field, the logo has often been executed roughly and quickly, sometimes by hand and from memory, with the simplest materials. For other institutions, that would be bad news. But not in this case: here, it is a perfect match for the mission and purpose of the organization.
Read the article in full here.
The newly published book, Unimark International: The Design of Business and the Business of Design by Jan Conradi, will be released this coming Wednesday, December 9th at The Type Directors Club. Unimark, a firm that shaped the design era in the 1960’s and 70’s and whose influence still resonates today, has a personal connection with the firm via a memorable interview that took place in June 2004. When Jan was traveling Europe in research for this book, partner Emanuela Frigerio set up an interview for her to take place in Milan. Emanuela acted as translator for this sit down with former Unimark Milan designers, including Franco Gaffuri, Emanuela’s former employer.
C&G Partners has completed another project through the U.S. Broadcasting Board of Governors: a monumental sign for Radio Free Europe/Radio Liberty’s new headquarters in Prague. The facility is located on a busy street filled with cars and trolleys. The new main signage is large (because of the speed at which it must be read), angled (because of the oblique directions of approach) and built in two materials and two colors to separate the two languages.
